Meredith & Harold



MAJOR SECTIONS: Figures | Articles | Links | Alph. Index | Search | Home

Figures in the Smooth Rhythms
Viennese Waltz
International Tango
American Tango
Two Step
Five Count
One Step
Figures in the Latin Rhythms
Cha Cha
Single Swing
West Coast Swing
Slow Two Step
Argentine Tango
Paso Doble
Dance Articles
Articles Home

Dance Figures

Dance Rhythms
Lead and Follow
Dance Styling
Fred Astaire Album
Other Sections
Dance Links
Music Clips For Each Rhythm
Search Site/Web
Contact Me

Time To Re-Visit Balance

by Sandi & Dan Finch

We learned to walk as infants, struggling to maintain balance in an upright position. After the first couple of years, we didn’t think too much about it. But, as dancers, re-thinking what balance is and how to achieve it can make you a better dancer, or at a minimum save you from injury.

The American Physical Therapy Association maintains that the most common injuries of the physically active—pain in the knees, IT band and ankle sprains—come from deviations in movement that affect balance. When you walk or run or dance—your legs go through two phases, swinging and standing. A tiny amount of imbalance when the leg is standing straight or pushing off into the swing makes you vulnerable to injury.

As we age, the body’s systems that detect gravity, identify body positioning at any moment and promote stability become less effective. Hip and ankle weakness often leads to balance problems, as well as the accumulative effect of years of poor posture. Add an injury or joint replacement or even some illnesses (such as diabetes) and the communication between what is below a joint and the brain is interrupted. The body needs to reestablish that dialogue for balance to be maintained. For this reason, doctors often recommend a form of physical therapy called “gait training,” a bit more than just muscle strengthening. It can include standing on one leg, walking heel to toe, doing leg lifts while seated, knee marching or tracking the movement of your thumb with your eyes as you move it around.

At a minimum, you need to understand where you are in space and time—locating your center of gravity (CG), which is the point at which you are in balance at each moment. You have a different CG for the various rhythms. For quickstep your CG is higher in the torso to allow your legs more freedom to move; for rumba and tango, your CG is lower to help you feel more grounded. Your partner is working on his CG too, and the partnership itself has to be in balance. How can you match your partner’s CG if you can’t control your own?

Some simple balance exercises can help (but always consult your medical authorities first). Try to balance on one leg for 30 seconds. Change legs. Do it with your eyes closed. Do it several times a day until you can hold for 30 seconds.

Swinging your leg can develop control when it is not on the ground, as in the part of a step while in flight. Stand in a doorway one hand against the frame for balance. Stand on one leg and wing the other leg forward and back. Check your knees to avoid inward or outward rotation. Move away from the support of the door frame and try it. For challenge, swing the opposite arm to meet the swinging leg as it comes forward.

Stand tall and fix your posture. Our latest tip is to focus on your “manubrium” and think about projecting it upward. Your manubrium is that “y” shaped bone above your sternum where a man’s tie sits. Then, walk forward four or five steps, looking behind you over one shoulder. Look over the other shoulder. This may seem like an odd exercise for a dancer, but remember, in closed position, you are moving forward and backward, and not looking straight forward. Try it to get a prettier neck line, if the benefits of good balance aren’t enough.

From a club newsletter, February, 2019, and reprinted in the Dixie Round Dance Council (DRDC) Newsletter, April 2019.


Alphabetical Index to
and Technique
Online since 2001 İHarold and Meredith Sears, Boulder, CO, All rights reserved.