Round Dance Tips by Tim Eum—
Feathers II
Last time, we looked at a variety of
Feather figures. This month we will look at three figures, all of
which have the same steps but have different names. The main
difference among them is their beginning positions.
DIAMOND TURN ENDING – Maintain Banjo
or Contra Body Position for all three steps.
The Diamond Turn is a four-measure
figure that is one of the most common of all the Waltz or Foxtrot
figures. Each measure turns left-face one quarter. The very last
measure (i.e. the last three steps) of the Diamond Turn can be called
a Diamond Turn Ending. After doing the first three quarters of the
Diamond Turn, you will be in Banjo position. The key to doing the
very last measure is to stay in a tight banjo position for all three
steps (Man back with right foot, side with left foot, cross in front
diagonally with right foot – Lady does opposite footwork). Contra
Body styling is especially nice. To do contra body styling, turn the
upper body slightly right-face (towards partner) as you do the last
step of the Diamond Turn Ending (i.e. cross right in front for the
man and cross left in back for the lady). It takes a little practice
to do this since your legs are moving your body to rotate in a
left-face turn while your upper body is turning slightly right face
(hence the term “contra body”). If you can do this while
maintaining a solid upper body frame (chest, arms, and head all do
not move in relation to each other) then you will look beautiful as a
couple gliding across the floor.
FEATHER FINISH – Start in Closed
Position and end in a tight Contra Banjo Position.
Supposedly, “Feather” is strictly a
Foxtrot term, but in Round Dancing it is permissible to take figures
from one rhythm and use them in another. Thus you may very well hear
Feather Finish being used when dancing a Waltz or even Quickstep. The
Feather Finish is danced exactly like the Diamond Turn Ending.,
except that you will normally begin in Closed Position instead of
Banjo. A common sequence is to do a Spin Turn into a Feather Finish.
Note that no matter the timing (SQQ in Foxtrot; 123 in Waltz) the
footwork is always the same: back, side, cross in Front (cross in
back for the lady). To get that exquisite look you still use “Contra
Body Movement” (CBM) and maintain close contact with partner.
OUTSIDE CHECK – Start in Sidecar
Position and end in a tight Contra Banjo Position.
Do the same steps as Feather Finish,
but start in Sidecar (SCAR) and you have an Outside Check. Even
though you move from SCAR to BJO, try to keep the rest of the upper
body frame the same, as much as you can. There is one further
difference. With the Outside Check, you stop your forward motion.
Not so with the Feather Finish. Don’t turn much. In 3 steps (back,
side, cross in front checking), don’t turn more than about 1/8
left-face turn.
Tim Eum originally prepared these Tips for Calls 'n' Cues, (WASCA); reprinted in the Dixie Round Dance Council (DRDC) Newsletter, September 2010.
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