Step is a movement of the foot from here to there. A Figure is a
specific sequence of steps forming a set that is complete, is often
standardized, and is widely accepted and used as one component of a
by Harold & Meredith Sears
The Serpiente (Roundalab Standard,
Phase III) begins in a facing position, perhaps butterfly wall or a
loose closed position. The man steps side left (W sd R) toward line
of dance, crosses the trail foot behind (W behind also), and fans the
lead foot counterclockwise (W CW). The timing of this first measure
is quick, quick, slow -- no weight taken on the slow count. During
the second measure, the man crosses behind left (W behind R), both
step side with the trail foot, both step through with the lead foot,
and finally he fans his trail foot counterclockwise (W CW). The
timing of the second measure is QQQQ, again with no weight taken on
the last count. We might end in butterfly with heads open toward line
of dance or in semi-closed position LOD, with the trail feet free.
That is the Standard, but the term
Serpiente is actually used for a variety of thru-side-behind-fan
patterns in a variety of dance rhythms. A slight variation on the
above description is side left (W sd R), cross right in back of left,
fan left CCW, cross left in back of right (W mirrors); side right,
cross left in front, fan right CCW, thru right. This sequence has the
timing QQQQ; QQQQ; -- 8 quicks -- and leaves the lead rather than
trail feet free.
We can do the Serpiente in a bit less
than two measures. In I
Won't Send Roses,a
phase III rumba by Bill & Martha Buck, we are in left open facing
position, man facing center, with trail feet free, and the cue is
Thru To Serpiente. We step thru R toward reverse line of dance (W
mirrors), sd L, cross R behind, fan L CCW; cross L behind, sd R, thru
L, fan R CCW. The initial thru step takes the first quick count in
these two measures, so the Serpiente itself is done in the remaining
7 quicks. We find the same Thru To Serpiente in The
Breeze and I,
a phase III cha by Bob & Debbie Pyles, but in this dance, we
begin facing wall and initially step thru toward line. It is also
done in You've
Got A Friend In Me,
a phase III foxtrot by Joe & Pat Hilton.
a phase VI waltz by Don Waldal & Ellie Bushue, the same steps are
cued Serpiente and Step Thru. We begin in semi-closed position LOD
with trail feet free, and the steps are thru R (W mirrors), sd L,
behind R; fan L CCW, behind L, sd R; thru L, fan R CCW, and then the
separately cued thru R. The Serpiente itself includes the initial
thru step this time and consists of a total of 8 waltz counts.
bolero, we would expect the Serpiente to look different because so
many figures are preceded by the characteristic preparatory slow
step. In Solamente
by Bill & Carol Goss, we are in butterfly position, man facing
wall, with lead feet free, and we step sd L (W mirrors), cross R in
front, sd L; cross R in back and fan the L CCW, cross L behind, sd R.
You can think of this (and it is cued) as a "bolero"
Serpiente with a timing of SQQ; SQQ; or, thinking of the other latin
Serpientes we have looked at, we could see it as a bolero side step
(S) and thru (Q) to a truncated Serpiente -- side, behind, fan,
behind, side (5 quicks). We end with lead feet free.
In Hernando's Hideaway, a phase
IV tango by Jim & Adele Chico, we find yet another version. We
are facing partner and wall with lead feet free, and we step side L
(W mirrors), tap R, sd R to RLOD, fan L CCW; behind L, sd R, thru L,
fan R CCW; (8 quicks). We end with trail feet free. The tap and the
strong progression to reverse make this this Serpeinte quite
different from the Standard.
And finally, while we're thinking about
variations on a theme, let's just glance at the Doble Cruz, a phase
IV tango figure that is very Serpiente-like. Here, we begin in or we
blend to semi-closed position and step forward L (W fwd R), step
through with the trail feet, and step side to closed position, man
facing wall (SQQ). During the second measure, we both cross behind
with the trail feet, fan the lead foot CCW (W CW), cross behind with
the lead feet beginning to turn left-face, and finally step back (W
fwd) to banjo position LOD (QQQQ). Often, the Doble Cruz is followed
by a step back to an Outside Swivel. In My Heart Belongs To Daddy
by the DeChennes, there is a Doble Cruz;; and back to a Left Whisk.
The Doble Cruz is very like a forward and thru to a Serpiente, and
our steps and movements mirror one another during the first measure,
but during the second measure, we blend from a mirrored relationship
to a following one (the lady follows the man's final back step with
her forward step).
More tango figures here, or go to index.
This article was published in the Dixie Round Dance Council (DRDC) Newsletter, March, 2011.
you would like to read other articles on dance position, technique,
styling, and specific dance rhythms, you may visit the article TOC.
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