Round Dancing Is A Partnership

by Harold & Meredith Sears

We hope that your first reaction to our title is, Of course dancing is a partnership! Of course we are dancing together. But, there are three habits that get in the way of smooth, comfortable partner dancing, and of course, there are three strategies that can counteract those habits and make our dancing more fun. They are cooperation, collaboration, and compromise -- the three C's of partner dancing.

Sometimes, we dance our steps and figures with less attention to our partner than we need to give. There are probably several reasons for this self-centeredness. In learning a new dance, we usually hear about the steps individually. We step forward. Our partner steps back. The man thinks about the man's steps, and the lady thinks about the lady's steps. Of course the cues come to both partners, so each can independently dance their own figures. But an independent approach to dancing can lead to tugging and jerking. One might forge ahead, leaving the other behind. We definitely want to dance as one unit, not two. We need to cooperate. So, yes, learn your steps, your part, but learn your partner's part, too. If you know that in a Telemark To Semi, the lady's second step is a Heel Turn, then you can think about not stepping long or wide and so pulling her off that turn. If you don't know her steps, then you can't even think about that issue.

If you try to use lead and follow techniques, then another uncomfortable habit is leading with strength and determination -- and then expecting the follower to keep up, no matter what. This is a self-centered, autocratic, caveman-kind of lead and follow, and it is not fun for either partner. Of course, the follower is going to be jerked, dragged, and generally beaten up. But the leader is going to work hard and feel frustrated, too. We need to collaborate. Ladies, as the traditional follower, you are taught early to feel your partner and to respond to his lead. But, men, you too must feel your partner, feel if she is on balance, feel where she is in her sequence, and then you need to adjust your movements and your subsequent lead to complement her movements. We need to work together on this. At least one teacher has bluntly said that the man needs to follow too. The leader guides and supports his partner, makes it easier for her to do what she needs to do, but he must respond to her movements and adjust. An old admonition is to lead what you want but dance what you get.

Typically, we try to take each step and dance each figure exactly as written and precisely on the beat. We waltz 123, and foxtrot SQQ, firmly on the beat of the music. Dance music is metronomic, but human movement and especially couple movement can't be so precise. The next music beat comes inexorably, but you might not be quite ready or your partner isn't quite in position, and you need to wait just a moment for the next step. We need to compromise on this matter of time. We speak of "stretching a beat." This is spending a little longer on one step or movement than is strictly "allowed" in the music or on the cue sheet. If you need the time, use it! It's okay. It's simply true that some steps in a figure are easier or less important than others. In a waltz Hover, dance it 1 2 3. Stretch the 2. This is where you are rising and blending to semi-closed position. It needs the time and it deserves the time. The first and third steps are just forward -- they can be emphasized less.

In our dancing, we need to be flexible and forgiving. Dancing isn't a team sport, but it is a couple sport, and we need to work together. In every dance that you do, remember the Three C's -- cooperate, collaborate, and compromise. Your play together will feel so much better.